99% of the tracks are done. We need to just add a few backup vocals in a few spots and then it's on to mixing and mastering. April is knee deep in Drummathon prep, so it's looking like we will wrap things up after that.
Go check it out. You can help support a great cause.
Love DFW. I live here by choice, but Louisiana is a special place with special people. Had a great extended weekend. It flew by and so many people I wish I had time to visit with, but so glad I got to see:
Chad Litersky, Mike, Tammy, Luke, Ory, and Thomas Veillon, Doug, Becca, David, and Amanda Duhon, Shane Louviere, Thomas and Martin Branch, Jack and Karen Panczyk, Joey and Cindy Gates, Stephanie Pepper, Randy Guidry, Nicole Amelina Mccrary, etc.
Krewe of Bonaparte Parade, The Best Stop, Don's Seafood, Whiskey River Landing, Popeyes, Pat's Seafood, Daiquiri Depot, La Rumba, Bisbanos, Swankys Po-Boys, Rickey Meche's Donut King, Geno Delafose, LA 31, Arn Mait'n, Double Tree cookies, Rompope de Santa Clara, Makers Mark, etc.
I recorded some guitar parts for a new tune I'm working on. I took the rig in the garage so I could crank it up and get some garage ambiance. It came out pretty good, but not quite as great as I thought it would.
I set up both my Zoom recorders. I put one close and one a few feet away. I played some scratch tracks on my phone and listened through headphones. The process worked out well, but it's a lot of work to go back through the long audio files and find all the good parts.
I found this note book from 9th grade. Love the old "I Love Acadiana", K94, Romero Music stickers. What was funny is that it had tabs for English, Auto Mechanics, etc. The "Auto Mech" tab section was completely blank. Not one note. If you gook Mr. Phillips Auto Shop class, you know what I'm talking about. To his credit, I did leave that class knowing "generally" how an internal combustion engine works. The next year I took Woodworking, or whatever it was called. That was a whole new level of "Blow off class".
I just received a "Certificate of Registration" from the Library of Congress confirming the my recent copyright submission has been certified. This legal document protects me from anyone infringing upon my rights as the owner of MY music. Or does it? The truth is that anyone can steal your music without your permission and without compensation. It is up to you to pay a lawyer to go after them. Let's say a record comes out with one of your songs on it. You didn't give the artists permission, and your name is not on the credits, and even though you know the album has sold a few copies, you don't see any evidence that the song is credited to you in any way. You check ASCAP, BMI, etc. and you see nothing. You contact the artists and they admit (sort of) the over site (theft), but so what. Everywhere this song exists has only the artists name in the credits and nothing has changed in your or their ASCAP and BMI accounts. You then contact a lawyer. Well, lawyers want to be paid, and they will not take this case on contingency, as the artist is unknown and the album hasn't sold enough to make it worth their time. If you had deep pockets you could pay the lawyer up front and pursue it out of principal only, as their will be no money after you pay your legal fees. As much as it kills you, you have to hope the artist's stolen version of your song is successful. That's the only way you will see justice.